Wednesday, July 09, 2008

Nude Kid Pic Strikes Australian Nerves, Raises Questions


Art Monthly Australia published this picture on their July cover. The girl, Olympia Nelson, now 11, was six years old when her mother took the picture.

It excited the wrath of Australian politicians with both Prime Minister Kevin Rudd and opposition leader Brendan Nelson each trying to outdo the other with their objections and condemnations.

This after police shut down the Sydney exhibit by Australian artist Bill Henson (also roundly condemned by the politicians). The Australian court ruled that Henson's work was NOT pornographic and ended that row.

Now the Australian Classification Board, with the power to stop the sale of the magazine entirely, is being asked to rule on the magazine's right to sell given the fierce opposition to the cover. They are also to come up with "guidelines" on the subject.

The magazine editor, Maurice O'Rierdon, stated that the cover was selected to "validate nudity and childhood as subjects for art".

The girl's mother is an art photographer and her father is an art critic. Olympia, perhaps poised beyond her years, has expressed indignation over the negative comments in a press conference.

Early articles on the Internet show the image you see above, but later ones have a small black square blocking off part of it. This gives newcomers to the controversy the idea that the picture might be more revealing than it actually is. Thus the doctored photo is more provocative than the original.

Except for a small group of voices saying "what's the big deal?" the opposition to the photo seems nearly universal. Some condemn it for the "adult" pose, while others condemn any lack of clothes as child abuse out of hand.

The issue for Art Monthly Australia is further muddied by the fact that the magazine is supported by tax-payer funds.

Trying to separate the many strands of this controversy is like trying to separate grains of salt and pepper with a tweezers -- more tedious than rewarding:

  • From the artistic view: the picture is okay, but certainly can't be called great art.

  • From the child porn view: the fact that both parents are solidly supportive, that her mother took the original picture and that the girl is now five years older than she was when the picture was taken speaks to the wisdom of the parents not to expose a six-year old to this ordeal. Maybe they waited until they were sure she could handle the pressure or maybe this was the first occasion they had to publish the artwork.

  • From the magazine point of view: they certainly made the case and got the attention they were seeking -- too bad they are fed from the public trough. When you take money from the government til, money expropriated from taxpayers, you exist not by right but by permission -- and sometimes the taxpayers (and the politicians who have to be attuned to the sensitivities of their constituents) withdraw that permission. Why should you be surprised?

  • From the taxpayers point of view: All funding of art from the public trough is expropriation of some group by another group. There is no justification for any of it, just the old demagogic, "might makes right." Public indignation over this art is more the expression "These people are not one of us so how come they get to have this art published at our expense?"

  • From the political point of view: In today's world, the astute politician is the one who can figure out which way the mob is headed and get there first.

  • On the subject of guidelines: Nothing is less conducive to creativity and innovative cultural vision than government proscribed guidelines.

  • Bottom line: Most people hate the idea of child abuse and child pornography, and that's what makes this subject so controversial. The problem is that no one is willing or able to offer an objective definition of the offense. Is unclothed equivalent to pornographic? Is unclothed equivalent to abuse? Some say yes, others (including me) say no. Can the age of consent be fixed only by government decree or is it a matter of parental judgement? Common practice in other matters (like drinking & marriage) say that the age of consent is fixed by the government in Western societies. Should this be different?
Unfortunately, I don't have any answers here, just a lot of questions. I applaud the parents for waiting until Olympia was 11 and not publishing the photo when she was six, but why not wait until she was 16? Why now? What is accomplished? The magazine's goal appears to have backfired, but Olympia is now famous and a lot of other people are angry, and the bloggers like me have something to write about. 'Nuf said.

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2 comments:

Paul Rapoport said...

The image, with painted background, references Lewis Carroll's Beatrice Hatch photo and is part of a large, important series about childhood by the girl's mother, Polixeni Papapetrou, in which most of the subjects are clothed. This image was exhibited in that context when Olympia was 6 with no objections at all. Assumptions that photos of nudity harm children at the time or later are beset with many counter-examples, including this one.

The Prime Minister claimed that Olympia still cannot understand the harm that has been done to her, when there is none. His argument essentially forbids parents to bring up children in the manner they wish (absent harm) and renders all minors of any age incapable of deciding anything, robbing them of any humanity or identity. It has led more than a few Australians to demand a ban on any taking of photographs of naked children whatever, in any manner, for any purpose.

The magazine receives money from an arm's-length council, not the government. That's why the political threats to close it are insidious.

There's much more going on here, including the contents of the magazine and vicious insinuations from a columnist about the girl's family.

There's a Facebook group for this matter, "Art Monthly Australia / Polixeni Papapetrou."

Art Lister said...

Paul,

Thanks for your clarifications on these issues. The parents and girl do not deserve to be harassed and probably did not expect to ignite a firestorm.

Also, although the funding is arm's length, it is still expropriated from the taxpayers. On the other hand, I'm sure the reaction to the cover would have been just as intense (or more) had the magazine not gotten funding from a gov't council.